Wedding dress 1958

There is something undeniably ceremonial about a gown with this much presence, and it starts with the bodice.

The silhouette is a classic ball gown: a fitted, structured corset on top and an enormous, multi-layered tulle skirt that pools into a generous cathedral train at the back. The overall color is a soft champagne-ivory, warm rather than stark white.

The strapless corset bodice is the focal point. It is densely worked with lace appliqué and what appears to be pearl-chain embroidery draped in swag patterns across the front, giving it an almost architectural quality. The construction is clearly boned, shaping the waist with real definition. The back closes with a lace-up corset tie, visible in the rear-view photo, which both flatters the silhouette and allows for a tailored fit.

The sleeves are separate from the neckline itself. The bodice neckline is straight and strapless; the long, sheer sleeves are an off-the-shoulder addition, sitting low on the upper arms. They are made from layered tulle with a slightly gathered, ruffled edge at the shoulder, and they extend to the wrist in a relaxed, billowing shape.

The skirt is pure volume. Layer upon layer of soft tulle creates that full, rounded shape that moves well and photographs beautifully in open spaces. This dress was made for a grand ballroom or a formal church ceremony.